The RS-120 is a comb filter based upon a BBD (bucket brigade device) analogue delay line.
The RS-120 is quite an unusual filter because unlike other filters it cuts several notches into the audio signal which result in a comb-like look of the frequency spectrum. Soundwise it is perfectly suited to create phaser and flanger sounds.
The filter is based on a bucket-brigade-device delay with very short times that clearly changes the phase of the signal. The feedback of this delay is used here as a resonance parameter that goes up to self-oscillation.
There are two audio inputs with level control. Unity gain is reached at the pot´s position 4, beyond this point the filter will be overdriven.
A control sets the delay time from 2.5ms to 25ms and in addition there are two CV inputs for controlling delay time, one with fixed 1V/oct and a variable one.
Resonance
The RS-120 has variable feedback or "regeneration". This is equivalent to the resonance of a more conventional filter. As this is increased from its minimum, the RS-120 will feed a greater and greater amount of the delayed signal back into the input. You control this using the RESONANCE control. At its minimum, the filter has zero feedback and, if you feed a simple 'click' into the RS-120, it will generate a single delay that will be difficult to discern from the original. As you increase the resonance, more of the output will be fed back to the input so that a succession of clicks become audible, and a characteristic 'ringing' sound will become obvious. This will severely colour any signal passed through the filter. At somewhere between the 12o'clock position and maximum the gain in the feedback circuit will become such that the delay is self-sustaining, and does not decay away. Finally, at its maximum, the filter will self-oscillate and generate a complex tone even in the absence of an input signal. The fundamental frequency of this self-oscillation will be 1/(decay time).
There is no voltage control of RESONANCE.
Inputs and Outputs
The RS-120 has two inputs: SIG 1 IN and SIG 2 IN, each with an associated LEVEL control. The inputs accept signals in the range ±10v, and these signals are mixed so that they can be filtered simultaneously.
The LEVEL controls offer unity gain in approximately the 2 o'clock position, marked '4' on the panel. At their fully anticlockwise position they attenuate the signal fully (MIN = -∞dB gain) while at their fully clockwise position they offer a small gain. This (or, indeed, any high level signal) allows you to 'overdrive' the filter inputs.
There is a single output that carries a signal in the range ±10v.